Facebook has a nifty Mobile Web SDK and tutorial, and that’s what I’m going to make. The application– a simple “find fun posts on Facebook about unicorns and ponies”. I had fun making it. I just timed myself and it was 5:30 minutes, so hopefully… if I can control the digressions and asides, might be able to do it. This is a reprise of two different talks- “Facebook in 20 minutes” for Momentus- the app was called “Popularity”, and judged your popularity on the size of your friend list. Then, re-did that talk for Women2/SF WoW, called “Facebook in 20 MInutes”. That app was “I’m Pregnant!” determining if you were talking more about babies and congratulations on your feed. Both server-side PHP SDK tutorials, with open graph and authentication. Mobile Web is far easier to setup, so in a way halving this talk makes sense.
Take that, and add a pinch of other museum-gaming perspectives: At SFMoma’s ArtGameLab, a contest focused on FUBU game designing, within the museum walls. I was there the other night for an open event, in which the top designers chatted about their portfolios and a bit on ideas regarding museums and gaming. It’s when I came across the term of “analog games.”
Don’t be distracted by the huge questions looming in the air- Does that mean museums are changing? Why games, are they even a good thing? Or, how exactly are these games organized and conducted? But instead, I get into two binaries that I think are badly formed: digital vs. analog, and empirical vs. experiential.
It’s about how we’re talking about games. For me, “analog” means continuous, streaming, like my record player and my old speakers. Digital, means converted to binary. Sure, there are a lot more options with digital right now, but that doesn’t mean that both rely on devices, or metal “technology” at its core. What I think people are really saying with “analog” is “IRL.” Yeah, a cute little texty way of saying, “In real life.” You don’t have an avatar. You are observed. You are in real-time, with no do-overs. It’s fascinating, and a lot times, more exciting. When you stop defining it as gadget vs. no gadget, offline vs. online, analog vs. dialog, it gets interesting. Because, you are saying, sure, use those other things if you want, but it has to be IRL. Laser tag is a good example. I see how analog is trying to get at the “real-time” idea, but even that is flawed as binary is simultaneous and real-time with wi-fi. So yeah, just call it what it is, IRL.
The other false binary/duality is: empirical vs. experiential. During the ArtGameLab talk, people were retweeting
“Museums are mechanisms for bringing experiences to people.” – Mathias Crawford of @natronbaxter #artgamelab
When I first read Mathias’ (@sfmoma’s) tweet, I was like, “sure.” But perhaps the 20th time it was retweeted, I wondered: are museums giving themselves far too much credit in educating and “giving” experiences? Are we extending the “mechanism” metaphor a bit too much?
At the core of this is: what are we trying to accomplish with the game. It’s hard, especially when games are for a certain entity, to make the game “about” something. One of the speakers at ArtGameLab had a great insight- that kids naturally, environmentally create games. With what they have. That sense of invention is perhaps what’s lacking in both of these scenarios. Making the game. Not having it shown to you.
Anyway, deep thoughts, all muddled and twisted about. I tried to give it structure.
I love using Interface Builder– I know, I lose geek points by saying that. So I finally figured out this thing I’d always wanted to do: instead of just using an entire view as a UITableViewController, what if you want to use it like any other UI object, as a object within a View, and my class can remain UIViewController? I got it to work, this is how:
To a regular view.
1. Drag the UITableView object over to the view.
2. View “connections” pain, and drag delegate and datasource over to “File Owner”.
3. In your code editor, go into the View Controller, and add these protocols: “UITableViewDelegate,UITableViewDataSource”
In retrospect, I’m loving the following (about this blackout):
– Discovering some great writing (Jezebel, xojane, bookslut, burrito justice)
– Amazing IRL times with good friends, neighbors, family members
– I revamped the style of this blog
– I have been reading so many entertaining blogs (see above) that I’ve re-confirmed my feminism and local activism, and local history (see: My Cool 1940s Neighbors)
– I’ve been treating LinkedIn as Facebook, and it’s rejuvenated my professional network, including opportunities.
– In general I’ve been reaching out a lot more actively, instead of passively. So that has made a ton of relationships a lot better.
I’m continuing my ideas of Friend Anxiety and “Facebook Fatigue” over at my Storify article.
I’m kicking off an “end of Lent” party (that’s Easter to you Philistines) at Zeitgeist with board games. Come on down if you’re interested. 2-3ish.
I decided to focus on two locations that are relatively indicative of the neighborhood.
The Widow’s Lodging House
This unit above represents one corner of my current modern apartment building, from a 1900 Sanborn map. on that premisis was a lodging house/hotel, run by a widowed 38 year-old, Ethil Cramer (sp?), from Kansas City, Oklahoma, more recently of Montana. Her son, Jack Harroun, aged 21 worked as “host.” This may be him- a veteran of the USS San Francisco 1942 attack on Guadalcanal, though it’s unlikely he joined up so fast and went active, and he’d have to be 82 in the photo. I have more faith in another report that at age 41 he died, because his birthplace in this report matched up with the Census- as Oregon. Sad, to die so young, in 1962, born in 1919. Let’s hope it’s the vet. Ethil Cramer is impossible to find- her literal name doesn’t match any records, and if it’s misspelled, and should be Ethel Cramer, it’s a very common name.
She had him at 17, and with his different name, I wonder if it’s an earlier marriage or out of wedlock. She had other income, probably from her inheritance. He made $900 that year. She pays $40 for that unit, which is quite large by all accounts. Though, I have such an old map it’s hard to tell what was actually built there- interesting is that she’s renting it, it’s not owned by her.
Almost all 6 tenants were older single men, or widowers, including a spunky “Irish Free State” widow, Catherine Monague. Think what she’s seen – born in 1875, living in San Francisco, through both World War I and II, and obviously has an opinion in telling the Census worker that she’s not just form Ireland but the “Irish Free State.” I could find a record of an early Irish-Texan cattle rancher named John Montague, who married an Irish Catherine Montague, but it’s a pretty common name and I have no way of verifying.
Dying to find her on Google somewhere. She’s living on some kind of non-wage income too. One 34-year old American Dominico Grillo, born in Michigan, recently of Glouster Massachusetts (good fishing?), and unemployed. The three guys older than him are also a cannery worker at a fruit packing plant, a fisherman, and a sardine fisherman (sometimes they differentiate from “crab”- I find the specificity endearing) earning from 600 to 200 a year. Josefa Nikka was a 51-year old Hungarian waiter, who earns 1,000 and had a full year of work,. There’s another interesting character – the resident who mostly represents modern North Beach. James Anderson, 62, from California, who earns $500/year as a doorman at a bar, 40 hours a week. Also the divorced, with a big D, 58 year-old Italian Antonio Gambuzzo, who works as a fruit-packer at the cannery and has “other income.” My favorite occupation in scanning these – the “macaroni drier” at the “pasta factory.” Awesome! Also- a vinegar works was right across the street, where a Mongo Networks telecom company now sits (sad face).
Big Amazing Italian Fisherman’s Family
On the little alley Water, at #67, currently an architecture firm, housed 10 Russo’s.
The patriarch, Giacomo, was a fisherman, his son a construction worker, his next son a messenger boy for PG & E (“telegraph company”)- I wonder if this is the one downtown. He has a 2nd grade education; his wife a 3rd grade. They’re from Italy, their first son was born there, then they immigrated. All the kids are in school, and the eldest two have graduated. As you can see from the Sanborn map, this is a tiny, 1-level place. I can’t imagine how they’re in there. Also, his wife had their last child at age 44. Their father worked 50 hours this week. Giacomo also has “extra income” listed- inheritance? Side line of work? He may own other properties- he owns this house, paying what looks like $15/month mortgage and an annual income of $1300 a year.
According to this, average home income nationwide was $20,000 in 1940, roughly half what we have now. According to that, almost all my neighbors were very low income, which I could tell by a couple of markers- the high density, the level of unemployment, the very low level of ownership. Also, kids contributing to monthly income is a big sign. Still, as we know it’s a thriving community with various other incomes, and it seems like even then people traveled far and wide to live here.
When I thought there was nothing new to report… wrong! The lastest manifestation of not being online is how folks forget that I’m not online. They think I know things going on with them, because they’ve spoken about it publicly. Which is a common thing. I am also guilty of that, having lived so publicly for a while. It’s an awkward moment when you realize the person doesn’t know something that everyone knows, or vice-versa. It’s the knowing absence of small talk, namely, “So what is up with you?” With social networks, all the wind is taken out of that sail. You can launch right into the current things you haven’t posted online. In an offline world, you learn to synopsize quite well about the large things in your life.
Example 1: I was chatting almost every day with a close friend before she realized I didn’t know she was moving in with her boyfriend. Perhaps that’s my oversight that I didn’t ask her how things were going in her relationship.
Example 2: In figuring out Friday night plans with a friend, she took a few hours to realize I had no idea her basement had flooded and she was home with contractors all day. She’d posted photos of it on Facebook.
Part of it is that you can’t find an absence. It’s difficult to search for… nothing. So by being offline I’ve literally taken myself out of the equation. Still, the newness of news is more fresh when delivered by the person who created the news, in person. I’ll miss that when I go back on. I relished the photos of the flooded basement while sitting outside on a sunny day at a beer garden so much more than in front of a computer on Facebook.
Tell me what you think- wrote an article on “appiness” — no, it’s not a Cockney pronunciation of happiness, but the trend towards ever increasing complexity in online interfaces, that makes them ineffective and “appy”.
Just a quick note on this Facebook/Twitter black out. A couple of times when I show up for in-real-life event stuff, friends say “OMG I miss you!”, “My Facebook is so quiet with you gone!”, “I can’t wait until you’re back online!” It’s kinda funny. It’s odd because from my perspective, while I may have missed it initially, it’s back to normal for me. But I wonder if you’re on the networks all the time, someone’s absence is bigger than it seems?
So far, this social media blackout thing is great. Kinda don’t wanna go back. Why is it working out so well?
OK, there’s this thing my brain does that has always annoyed me, caused stress, etc. and lately it hasn’t happened as much: mis-managing my calendar.
I have a seriously hard time remembering a date/time. If it’s outside of a week, I will totally miss it/transpose it/forget it. Transposing is my favorite thing my brain does. Your concert is on Wed March 12th? I will show up at March 21st. Skiing on President’s Day Weekend, I will book the hotels for MLK’s birthday. Those are real life examples. When I’m showing up to a party, I will re-check my calendar multiple times. Problem is, sometimes I enter the date wrong in the calendar. In “calling to confirm” I convince people it’s the wrong date. Nothing is to be trusted.
You’re thinking, oh everyone botches dates. I’d argue that I botch them with almost persistent regularity. The funny thing is the knowing look on friends and family when I realize I have screwed up a date. Despite going to yoga and dance twice a week I still have to look up the schedule for when they start each day.
Adapting & Adaptations
I’ve consciously or unconsciously done the following to manage this:
Being spontaneous. Besides the regular occurring things, I keep it pretty open. Events are so stressful to schedule and remember, that I’m happier if there’s nothing scheduled. So I end up being a better “last minute” friend.
Associations: Birthdays are in months that are astrological, and I can remember those associating them to personality traits.
Regularity. Dance classes always on Tues/Thurs, yoga on Mon/Wed, etc. The start times are all different, but I just check those daily. You build up subtle clues to the day when you do this, on Thursday the Mission is full of people, certain friends are in the classes, etc.
Confirming. Calling before an event, emailing, etc. to confirm the date/time. Not having any ego about it, if I’m wrong, I’m wrong.
One Calendar. It’s the laptop’s, not the mobile or the kitchen wall calendar- there’s also a work one but I don’t schedule personal stuff in it. Making sure to enter dates (even if I do it badly, it’s 50% of the way there).
Off Social Networks
So what I realized recently is that being off social networks has helped extremely. I’ve only botched one date- my friend’s singing gig in North Beach, and it was salvageable. I wrote her asking something about it, and she wrote back immediately “You know it’s tomorrow right,” and “I know you ;)” haha. That was a case where I entered in my calendar wrong. My schedule has been as busy as usual but only messing up one event is really big to me.
I’m not sure why being off social networks has helped- the lack of distraction, or it could be that I hold in-real-life events as more important now because they are where I meet and chat with people. My ‘social life nutrition.’
It may also be that I don’t see the events in Facebook. As more of us start scheduling in there, it mutes the “chatter” of events that I’m not directly related to. If someone bothers to email or tell me personally about something, it’s that much more of a real invitation. A digital invitation, especially one shared out to one’s entire network, is less special. It may just b the “clutter” idea- lots of extraneous social information is competing with my adaption skills in calendaring.
Total aside re: Evite.
On the note of digital invites- I won’t attend anything sent by Evite. Why? Not because I’m just randomly picky, it’s just way too stressful. Evite allows you to invite people without putting the logistics in the email. This is nice if you are an organizer and don’t want “looky-lou’s” not committing and just looking at your guest list. But what it means for me, is that in the 5-10 times I look at the invite to confirm the logistics, I have to click through to the site. The problem is here: I have been online so long, that I have many email addresses. Longtime apps like evite have some old email in there, and it takes drudging up 10 passwords to register.
Posted by banane on March 20th, 2012 — in feminism
1. Star Mites
My niece invited me to come see her in Star Mites. Yeah, that’s right, I’m the mean auntie critiquing a community theater performance. The kids were great- the play though… it’s based on the 1989 Broadway production, a science fiction romp of comic book heros turned real, and an adolescent girl as the main character.
Thing is, the feminism is super dated. Yes, the leading character is a girl. And that’s about it. Throughout the entire play she’s whining that she’s not good enough or not strong enough, and it’s just tough to watch that much annoying struggling with confidence. There’s a bit of Shakespearean mistaken identity with the evil Queen’s daughter, and an arranged marriage. There’s a time when the girl falls asleep and the captain of the fighting Star Mites kisses her (while she’s sleeping). Agh! The arranged marriage was just painful to watch, and then, the double for the lead girl goes and sacrifices herself for her mother. So basically what I get from this play is, to survive you have to marry the captain or die. Granted, she does find this hidden superpower, but has to choose between the real world or the fake world.
Second, What TV shows pass or fail the Bechdel test?
I was pleasantly surprised to find the following TV shows pass the Bechdel test- which is- two female characters talking for more than 30 seconds about topics, relevant to the plot, and not about men:
– Good Christian Bitches. Total she-drama.
– Downton Abbey. While there is an obsession with marriages and engagemetns, I can recall (and tell me if you debate this) Duchess and Lady talking about their daughters, their daughters talking about each other while getting dressed, the maid Anna talking about Mary, etc. A reason to re-watch it!
– Arrested Development (“Her?” haha) Lindsey and her Mom usually talk about other family members, which are all men.
– New Girl. Fish out of water story, so only one woman generally on the screen at one time. There is one spot where Zooey’s character is talking to Rich’s new girlfriend and they’re discussing her twee style. Otherwise, notsomuch.
– Alcatraz. Another fish-out-of-water story, so that’s relatively obvious.